用香港流行演唱會試機?

t1174 · 发表于 2009-8-5 11:12:18

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我有個朋友十分喜歡用香港流行演唱會試機的, 不過, 想不到可不只他一之人....

http://www.6moons.com/audioreviews/orpheus/heritage.html
The technological achievements of the Heritage DAC require substantially burn-in time alongside fine-tuning before meaningful observations and opinions can be drawn in an objective manner. One of my most valuable and knowledgeable high-end audio comrades is J. Lam, who initially tested the Heritage with me for three days when partnered with my Zanden 2000p transport. I think it is fruitful to share his words since he had chosen the live recording Get a Life by renowned Hong Kong male vocalist Eason Chan. This is a recording he knows inside out because (1), he had recently discussed its recording quality with Eason Chan himself after an interview on Metro Radio; (2) he attended the concert that was recorded; (3) he also talked to the recording engineers of Cinepoly in charge of this album

In the words of Jlam: "Eason Chan is my favorite male Hong Kong singer not only because of his personal charm but for his consummate vocal skills. He studied at the prominent Vocal Faculty of the Royal Academy of Music in the UK. He applied many techniques learnt there to his songs where most pop singers have not undergone equivalent formal training. It probably explains why the quality of his voice during the final two concerts maintained the very high standards of his very first sessions. His appropriate use of vibrato enhances certain lyrical lines from time to time with varying degree of intensity through the most delicate variations in his singing tone; transient emphasis on vowels and consonants in some lyrical lines; as well as masterful breath control to recharge energy in the midst of high passages. All of these subtle variations convey a very emotional experience. The Heritage reveals all such subtleties even to the extent of seeing the microphones temporarily shaded by his moving hands, incurring subtle alterations of depth perspective. Yet the vocals never decouple from the big picture, the surrounding, emotionally highly charged audience who collectively acts as multiple layers of background chorales.

[ 本帖最后由 t1174 于 2009-8-5 11:16 编辑 ]