出入門靜電組合STAX SRS-005

cv980 · 发表于 2010-12-17 20:58:58

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SRS-005

SR-003耳機+SRM-Xh耳放 +100V原裝電源,不含包裝,

標準5pin接頭,耳機耳放均可通用於其他STAX產品

無論聲音與泛用性都在SR-001mk2之上

1600rmb 運費到付

有小瑕疵,見圖(底部掉漆,耳放插頭左邊小缺)
但不影響使用

review 1
圖片另開新頁面可放大

review 2(要翻牆)
http://www.head-fi.org/forum/thread/345879/double-review-stax-sr-003-and-sr-x-mkiii-pro

Stax SR-003

Sound
The SR-003 have a unique sound for a lesser Stax headphone. While most of them have weak bass and bright highs, the SR-003 are warm-bass oriented headphones.
They have very generous midbass and lower midrange. In fact, the bass is huge, but extremely fast and detailed. Instead of making things bloated or muddy, it's the pavement where all other sounds are etched on for a wonderful picture. The SR-003 have extreme instrument separation and clarity, and are the fastest Stax headphones thanks to the thinner diaphragm.
I have come to discover that electrostatics have crazy speed and ability to separate the sound.
The SR-003 have such resolution that they spot artifacts in my 320 kbps mp3 making them sound clear and defined (painful, in fact), like an island in the middle of the sound. They are making me think to rebuild all my music library from 320kbs mp3 to FLAC.
The upper midrange, around 8 kHz, is slightly subdued, roughly a 6 dB drop. The dip is not wide though, and at 6 kHz there is no effect left from the dip. Treble is flat way past 12 kHz. Thanks to the speed and resolution of the driver, treble is very detailed, but neither bright nor piercing.
All this makes for a very lush, smooth sound with forgiveness in regards of sibilance, without having the same muted upper midrange of my (s)old Head-Direct RE1.
Their soundstage is on par with the best IEMs/earphones, which means in the head. Voices, treble are placed in the head, while only the huge/environmental bass hits from the sides.
Instrument placement is razor sharp.
The main limit of the SR-003 is the midbass, which is too much and too often adds adds unwanted authority to a song to a song (like if the song had to present itsef with more power and “expectations” than normal), yet it lacks depth below 60 Hz.

The SR-003 are very good for rock, as they are never harsh and they give it a full bodied character. Plus, the fact that '60s-'70s rock recordings hardly have deep bass makes the limit negligible.
They make listenable Ornette Coleman too, whose sounds are usually shrill and painful.

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