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发表于 2010-3-31 10:13:29
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今天听这个，这个德日混血mm - Alice Sara Ott弹得很有味道，听后不得不为她的惊人天赋和传神演绎喝彩。
ta的演绎可以说是把自身和作品的气质有机的结合在了一起，营造出了独特的意境。Alice 每个音符都能把你带到她在作品中想象到的意境中去，不像其他一些钢琴家那样弹的那么炫或者很沙龙，可以说是清新自然来形容。 对于一个年轻钢琴家来说，能表达出如此丰富的情感实属难得，在她的琴声中，作品的意境马上会展现在听者面前，可见她是一个感情丰富和品味很高的钢琴家。在DG公司下，已经为她出了两张专辑，分别为李斯特超级练习曲和肖邦圆舞曲。
Liszt 12 Etudes D'execution Transcendante
专辑介绍：
有着日本血统的德国钢琴家爱丽丝.纱良.奥特出生於1988年，四岁开始学习钢琴，七岁就在德国著名的《青年音乐》比赛得到首奖。接下来，欧洲各个重要钢琴比赛的颁奖台上，都可以看到爱她的身影。除了在钢琴比赛佳绩频传，爱丽丝.纱良.奥特也是个有个人独特见解的年轻音乐家。当她2007年在慕尼黑演出李斯特《十二首超技练习曲》时，乐评人对於这名不满二十岁的女孩，在音乐中散发出来的不凡专业气度感到惊喜。接下来她在纽约、奥地利、瑞士巴塞尔、德国许多城市的演出都得到同样讚扬。
在李斯特的钢琴作品里，这一套《超技练习曲》的地位相当重要。由於李斯特在十二首作品里要求极为高超的钢琴演奏技巧，舒曼曾经表示，「观察」不同钢琴高手如何克服艰难乐段的模样也是欣赏这一套作品的乐趣。特别是欣赏李斯特本人演奏时，「看著作曲家本人如何与钢琴较劲，让它臣服在自己的意志之下，更是具有意义。」当时舒曼更宣称「全世界顶多只有十多位钢琴家能够征服这些练习曲」。
李斯特曾经罕见的三度修订这些作品，让作品的和声更加大胆，乐曲的架构与轮廓也更具说服力。乐谱於1853年在德国出版时，李斯特把它献给自己的老师彻尔尼。除了第二与第十曲之外，李斯特分别为作品加上〈前奏曲〉、〈风景〉、〈马捷帕〉、〈鬼火〉、〈幻影〉、〈英雄〉、〈狩猎〉、〈回忆〉、〈黄昏的和声〉与〈除雪〉的标题。
李斯特是在一八五二年写下他的十二首超技练习曲的，创作这套乐曲时，他已经从钢琴家灿烂的生涯中退隐，和维根斯坦公主隐居在威玛。这套作品并不是原创，因为这是李斯特从自己一八三七年一套十二首华丽练习曲中重新改写的，而这套一八三七年的练习曲，又是从他自己在一八二六年写成的十二首练习曲中改写的。李斯特将最后一版、也就是今人熟知的超技练习曲献给了贝多芬的学生彻尔尼，彻尔尼正是李斯特的恩师，学钢琴的人都知道，他写了许多重要的钢琴练习曲，所以李斯特将这套音乐会用的艰难练习曲送给写了许多机械化练习曲的老师，有其深意。三套练习曲中，一般认为一八三七年的版本技巧是最艰难的，不过今人一般都只演奏一八五二年的版本。在当时，舒曼评估这套曲目普天之下应该只有十二个人可以演奏，李斯特的最终版是在考虑到新型态的钢琴较重的机械装置而加以修改，希望能以较简单的技巧达到同样的效果，同时李斯特也删掉其中单手弹奏超过十度音的和弦写法。
这十二首练习曲中，最有名的是第四号「马采巴」、第五号「鬼火」、第八号「狩猎」，其中「鬼火」被俄国超技钢琴家李希特称为正规钢琴曲目中最难的一首，此曲是练习左右手协调的难曲，因为左手要右手快速的三十二音符半音上行乐句中弹奏分解和弦，并且还要能制造出鬼火飘忽的神秘感和不确定感，弹奏者要弹得既轻柔又流畅。
附介绍：
DGG 新签下女钢琴家 Alice Sara Ott February 21, 2010 少弼 2 comments
 
Born in Munich in 1988, Alice Sara Ott received her first piano lessons when she was four and won a first prize with distinction in the well recognized “Jugend Musiziert” contest at the early age of seven. This was followed by further top medal accomplishments – frequently accompanied by special awards – at the Steinway, Grotrian Steinweg, Bach Coethen and other music competitions as well as in the 4th Epta International Competition.
At the age of 13 she was already well into international music competitions, carrying away “The Most Promising Artist Award” in Hamamatsu, Japan and other major trophies. Two years later, Alice Sara Ott attracted a good deal of attention when she won the first prize in the “Silvio Bengalli” International Piano Competition as the youngest contestant by far, qualifying for the highest number of points ever given in the history of the competition. This again was accompanied by special awards.
Since then, the German-Japanese pianist and student of Karl-Heinz Kaemmerling at the Salzburg Mozarteum has appeared in numerous concert halls in Europe and Japan as for example the Bad Kissingen Summer Festival, the Classix Festival in Brunswick, the Mecklenburg/Vorpommern Festival, the side-events programme staged in connection with the Bayreuth Festival, the Leipzig Bach Festival and the Prize-winners’ Concert given at the Salzburg Festival. In 2005 a dazzling performance of Tchaikovsky’s Piano Concerto No. 1 given in Sapporo with the Sapporo Symphony Orchestra under the baton of guest conductor Anu Tali followed and directly resulted in return engagements from the orchestra. In April 2006 she was invited by Hiroko Nakamura to inaugurate the final round of the popular ten-year series “The 100 Pianists”. Back in Europe, she appeared in Switzerland in September 2006 when she was the soloist in Ravel’s Piano Concerto in G Major performed with the Tonhalle Orchestra Zurich conducted by David Zinman, a rendering which unleashed passionate enthusiasm from the audience.
In addition to her solo activities she also has performed at chamber music festivals like the Festival “Spannungen” in Heimbach from Lars Vogt or the Zurich Festival, among others together with Lars Vogt, Gustav Rivinius and Tadjana Masurenko.
In the year 2007 she played among others at Herkulessaal of the Munich Residenz and inspired both audience and reviewer at “Klavierfestival Ruhr” jumping in for Elena Bashkirova. Two month later, at the Schleswig Holstein Music Festival, she jumped in again three times for sick colleagues. Here she received the special price of the festival and was winner of the public price. Big resonance in sold out halls she got in Tokyo with the Yumiuri Nippon Symphony Orchestra at Opera City Hall und in Suntory Hall with the Kiev Philharmonic Orchestra. Stepping in for Murray Perihia at Stadtcasino Basel she got standing ovations from the whole audience. In Germany the chief editor of the leading music magazine Fono Forum selected Alice Sara Ott as best rising star of the year 2007. Concerts in 2008/2009 will follow e.g. at Munich Philharmonie, Salzburg Festspielhaus and Tokyo Bunkakeikan
As “fulminante introduction” Sueddeutsche Zeitung praised her first CD, realized in 2004 as a co-production with the Bavarian Broadcasting Corporation and this release has met with wide acclaim throughout Europe and Japan. Since May 2008 Alice Sara Ott ist exclusive artist of Deutsche Grammophon. A first CD with Franz Liszt, 12 Études d’ exécution transcendante, will be released in autumn 2008 in Japan. A second CD with complete waltzes from Frederic Chopin is scheduled for release in Europe and Japan in 2009/2010
Alice Sara Ott has gained scholarships set up by the Degussa Foundation in Düsseldorf, the PE Promotion Society for Music Students in Mannheim, the Heimbach “Spannungen” Festival, the German Foundation “Musikleben”, the “Studienstiftung des Deutschen Volkes”, the Orpheum Foundation in Zurich and the Liechtenstein “Centrum Bank” Foundation for the Advancement of Art and Science. |
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